I feel compelled to write again
about this girl, ad nausium,
as though she will appear
because I do.
She said “You’ve got to let her go,
because her pain will only grow;
you’ll reap what you have sown!
It’s only selfish,”
But I know that behind those words,
She thought, “Your children are like swords
to me—oh, aren’t I adored?
It’s now, you fool, or never!”
And when she knew that I would stay,
She lingered for a bit to pray
then carried on her way,
and we wrote letters.
We talked about the things that changed
about me, and of her deranged
arrangement with a Northern man,
among
Today I awoke, half-eaten by
a stubborn flame that cannot die
though long the coal departed;
I lay here broken-hearted,
like it was yesterday she said
she needs me not before she fled
like times before, though yearning
and every time returning.
I wonder as the months go by
her lodging, and the reason why
she bore it all, untethered
then left me just her feathers
and the most pretty memory
for my diurnal reveries
assuring, to be clear,
to me she’s dying to be near
and oft dreams of returning,
to quench me, ‘til then burning.
Why do you cry
when the eve is so bright,
with its thousands of eyes
in the moon's gentle light;
I have scarcely known anything sweet as tonight,
so why do you cry?
The aroma of Christmas intoxicates so,
as the cookies are baking; the tree is aglow,
and outside descends this December's first snow,
so why do you cry?
Are your teddies not soft as you knew them before?
Are you done with the toys that you used to adore?
Don't you have what you want; could you want any more?
Son, why do you cry?
We played with the train, and you're recently fed,
and I've tidied your floor, and I remade your bed,
yet something unknown gives you trouble; I beg
o
Some errors you should not regret;
some things should change for ever, yet
it's not like hearts to soon forget
what once they knew so fondly.
But sometimes, yes, we can restart;
depends the season of the heart;
yet, only reason can impart
the nature of a person.
The heart moves quickly to assess,
and far too quickly to address
by what it truly is impressed,
and lo, it's skilless effort
ends in error; shameful change
that needn't be, with needless blame
perverts each person's blameless name
for nothing.
Call me selfish,
for I know what I want,
and I know that I'll one day have it.
I'll break a heart
or two or three, and may
eternally suffer my children's chagrin.
Call me cowardly,
for I know what I need,
and I know that I may not try
'cause though she's not quite a dove,
and she's someone I cannot love,
I owe her my promises and my lies.
I remember the first time you lied
to allay your fear of ineptness;
you told me that I oughtn't try
for my lack of finesse and depth.
I realize that things were at stake:
your "prowess," your pride and some other.
It's tougher to pin, but your veneer is thin:
't was the love and respect of your mother.
These may be merely suspect,
and I cannot be certain of any,
but you once were besotted, and purring you lauded
my every line. There were many
lies from me, as well,
as lauding... a generous bit.
I was mostly benign had I chosen "divine"
to describe a new stanza you writ.
Yet, it sometimes seemed magic because
it was you whose hand penned e
Ego mandicare quia eum.
Ego adspiro quia eum.
Non video, nec sentiunt,
sed dormit adhuc in perpetuum
sine eum.
I eat for him.
I breathe for him.
I cannot see, nor feel,
but lay forever still
without him.
At every birth is God, by whom
each lifespan is decided,
and when one spends another year,
a cherubim will then appear
to note the age, lest one spend more
than what the Lord's provided;--
--and in the wood, behind the thick,
Medieval wenches, ravenous
for skin that clings to flesh like silk,
and in light shimmers, pale as milk,
have a special, ghastly trick
for keeping health like maidens:
Bring a victim to your palms
and hold It to your lips;
purse them, then consume the soul
(slowly; never take it whole,
or leave It even partially full;
waste not a bit!) in sips.
Mind the age of every one;
the rest of what's allotted
upon ingestion of
She's back
with cold fingers
and a lot to confess.
She takes
my body in her arms
and softly tosses a tress.
She reminds me
of what reasons
I've been happy before,
dims my misery,
and when she goes,
leaves open the door.
I feel compelled to write again
about this girl, ad nausium,
as though she will appear
because I do.
She said “You’ve got to let her go,
because her pain will only grow;
you’ll reap what you have sown!
It’s only selfish,”
But I know that behind those words,
She thought, “Your children are like swords
to me—oh, aren’t I adored?
It’s now, you fool, or never!”
And when she knew that I would stay,
She lingered for a bit to pray
then carried on her way,
and we wrote letters.
We talked about the things that changed
about me, and of her deranged
arrangement with a Northern man,
among
Today I awoke, half-eaten by
a stubborn flame that cannot die
though long the coal departed;
I lay here broken-hearted,
like it was yesterday she said
she needs me not before she fled
like times before, though yearning
and every time returning.
I wonder as the months go by
her lodging, and the reason why
she bore it all, untethered
then left me just her feathers
and the most pretty memory
for my diurnal reveries
assuring, to be clear,
to me she’s dying to be near
and oft dreams of returning,
to quench me, ‘til then burning.
Why do you cry
when the eve is so bright,
with its thousands of eyes
in the moon's gentle light;
I have scarcely known anything sweet as tonight,
so why do you cry?
The aroma of Christmas intoxicates so,
as the cookies are baking; the tree is aglow,
and outside descends this December's first snow,
so why do you cry?
Are your teddies not soft as you knew them before?
Are you done with the toys that you used to adore?
Don't you have what you want; could you want any more?
Son, why do you cry?
We played with the train, and you're recently fed,
and I've tidied your floor, and I remade your bed,
yet something unknown gives you trouble; I beg
o
Some errors you should not regret;
some things should change for ever, yet
it's not like hearts to soon forget
what once they knew so fondly.
But sometimes, yes, we can restart;
depends the season of the heart;
yet, only reason can impart
the nature of a person.
The heart moves quickly to assess,
and far too quickly to address
by what it truly is impressed,
and lo, it's skilless effort
ends in error; shameful change
that needn't be, with needless blame
perverts each person's blameless name
for nothing.
Call me selfish,
for I know what I want,
and I know that I'll one day have it.
I'll break a heart
or two or three, and may
eternally suffer my children's chagrin.
Call me cowardly,
for I know what I need,
and I know that I may not try
'cause though she's not quite a dove,
and she's someone I cannot love,
I owe her my promises and my lies.
I remember the first time you lied
to allay your fear of ineptness;
you told me that I oughtn't try
for my lack of finesse and depth.
I realize that things were at stake:
your "prowess," your pride and some other.
It's tougher to pin, but your veneer is thin:
't was the love and respect of your mother.
These may be merely suspect,
and I cannot be certain of any,
but you once were besotted, and purring you lauded
my every line. There were many
lies from me, as well,
as lauding... a generous bit.
I was mostly benign had I chosen "divine"
to describe a new stanza you writ.
Yet, it sometimes seemed magic because
it was you whose hand penned e
Ego mandicare quia eum.
Ego adspiro quia eum.
Non video, nec sentiunt,
sed dormit adhuc in perpetuum
sine eum.
I eat for him.
I breathe for him.
I cannot see, nor feel,
but lay forever still
without him.
At every birth is God, by whom
each lifespan is decided,
and when one spends another year,
a cherubim will then appear
to note the age, lest one spend more
than what the Lord's provided;--
--and in the wood, behind the thick,
Medieval wenches, ravenous
for skin that clings to flesh like silk,
and in light shimmers, pale as milk,
have a special, ghastly trick
for keeping health like maidens:
Bring a victim to your palms
and hold It to your lips;
purse them, then consume the soul
(slowly; never take it whole,
or leave It even partially full;
waste not a bit!) in sips.
Mind the age of every one;
the rest of what's allotted
upon ingestion of
She's back
with cold fingers
and a lot to confess.
She takes
my body in her arms
and softly tosses a tress.
She reminds me
of what reasons
I've been happy before,
dims my misery,
and when she goes,
leaves open the door.
Current Residence: New Orleans deviantWEAR sizing preference: Atheism Print preference: Damp composted soil Favourite genre of music: Skulk Favourite photographer: Super Nintendo Entertainment System Favourite style of art: Crabwise Operating System: Practical MP3 player of choice: Billy Shell of choice: Thorough Wallpaper of choice: Subjective Skin of choice: White Favourite cartoon character: Sam Harris Personal Quote: Yes but you're mistaken.
But of course. I've intended to peruse your stuff more for a while, but had my attention diverted from DA by my Super Nintendo emulator. >> Heheh. You also expect some more attention from me soon.